installation

aquatic observation

I’ve imagined the drone 1001a as the aquatic version of the original all seeing model 1001. This drone hovers quietly over the ocean or just on the very edge of the shore. It exists in the time of the endless ocean. Long after our technological demise, the inevitable consequences of climate changes come to light. There is nothing. A hopeless horizon extends in every direction. What fragments of land remain are scattered far apart with only empty waters between them. The detritus we leave behind will always remain. Now it is mostly seen as sun bleached plastics that float on the surface or wash up like an artificial red tide. This drone constantly patrols the water, searching for anything that breaks the pattern of emptiness. How far does the ocean reach? Is there anything at all beyond the horizon?

Drone 1001a Augmented Reality test. Click to play the video with sound.

Right now this specific work is moving in two distinctly different directions. The physical 3D printed versions of the drone are being used to tell this part of the story through hyperreal miniature landscape dioramas/scenes. The 3D model has been painted, textured and animated, so it can appear digitally in augmented reality. Each direction has its own unique set of concerns and potentials. Together they will help tell a more articulate story that has the potential to spill out into the world around us.

New ideas take hold as the old ones try to hang on...

As each new piece is finished it is hard to not ask myself what is next. For me it’s a natural tendency to want to start or resolve something new. One of the things I do to counter that is to look closely at what I have made for potentially previously unseen variations or experiments within the parameters of the process. Currently I’m continuing the Machine Drawings series, while starting to experiment with some new ideas. The focus of the current drawings is to amplify and expand on some of the nuances or unique qualities of the previous drawings from the series. I’m specifically working with a more narrow color palette to a few quieter landscapes that have more atmosphere. Simultaneously I’m experimenting with translating the drawings into dimensional objects. I’ve started by using the laser cutter to cut out and etch lines into the layers of the drawings. I will be using colored acrylic plastics with varying densities or etched lines on them. It is critical that these pieces take on not just the photographic qualities of the drawings, but also some of the interactions between line and shape. I’m not exactly sure where this will lead or what the final piece(s) will be. Possibly some kind of shadow box, infinity space or illuminated diorama…

Studio sketches

Studio sketches